Since the time of my childhood, Indian culture and its ancient cultural heritage influenced me, and since then, I have been highly influenced by MINISTRELS (BA-UL), worshipper of Bishnu (BAISNAB TAT-TWA) and spiritualism-(ADHYATIKATA) and those recur in my work repeatedly. Ganesha, Krishna and Buddha is usually among the gods and goddesses of India semi-realistic techniques of texture with realistic drama in the shade on my canvas is realistic.
But present social life and its ups and downs, stretches and strains fluctuations etc. cannot be ignored. I believe from the core of my heart that facts cannot be confirmed. There for, reflections and subjective views often peep in my works. An attempt of harmonization between the male and female human body with beasts and birds paves the way to realistic pragmatic also restore the glory of the Ganga ghat of different times of the day and at different angles. For example I like to sit on the banks of the Ganges when the cloudy sky in the morning and the sun sets. Similar to Banaras ghat, Shadhu or the saints and boats are an importance part of my paintings. Also the glory of special female beauty has appeared on my canvas. These women are often accompanied to portray their soft nature and free spirits.
This time an envious situation will have to be faced by the artist and that should be transgressed fact fully to overcome the consequences.
It is not my intention to create unnecessary complexity and deprived the spectators from aesthetics outlook. So I take much care for the aestheticism. The rest I leave for the viewers. Future is the greatest critic, so measurement of my works will be left for the future judgment.
